Theatre Directing

Overview

It provides an opportunity to develop your directing practice through an active engagement with critical thinking so that you will have the tools to become an independent creative artist in the industry.

The diversity of our student intake is our course’s strength. It’s open to those with professional as well as academic experience.

As well as taking part in master classes by visiting professional artists, you will learn from and work with staff who are both academics and professional practitioners with industry knowledge.

You will study a broad range of approaches to performance-making from traditional text-based work to intercultural and digital performance and contemporary devising.

We teach you at our brand new performing arts building in Stratford with its industry-standard studios and theatre production spaces. Beyond the university, you will also have the opportunity to show your work in professional venues.

Your future career

The work you will be doing with theatre professionals and the constructive help and advice you will receive from professional actors throughout your Theatre Directing course, offered by University of East London, is all geared towards helping you establish yourself in the industry.

Your final degree show will act as your showcase to attract agents and develop your professional networks. 

By having your own mentor in the last six months of your course, you will not only gain important insight and advice about the technical aspects of acting but you will receive invaluable help in developing important contacts.

Because our Staging Performance module is mentored by a theatre company, this could also open doors to performing your own work. It certainly has for previous students.

We believe our course helps nurture independent-minded, creative individuals – people like Tom Drayton, who graduated in 2014, has set up his own theatre company and is also busy with freelance work, including running workshops for children.

He produced the first ever free production of Sondheim's Sweeney Todd on the Edinburgh Fringe and, during his UEL studies, he directed and produced the acclaimed Twentysomething: a reading list, which focused on the plight of recent arts graduates following the economic recession.